Spinner

Jello Biafra Says Major Labels Deserve to Be Ripped Off

Jello BiafraLike owners of most independent record labels, the economy and the prevalence of file sharing have hit Jello Biafra hard. The former Dead Kennedys frontman's Alternative Tentacles label, which includes bands like F-Minus and Leftover Crack, has had its share of troubles in recent times. "I've thrown a lot of what's left of my own money into the label and unfortunately, it's also meant cutting back," Biafra tells Spinner. "I've never laid people off before and I had to let a couple of longtime people go. It was gut-wrenching because these were loyal people who started out as employees and became my good friends. Of course, it was even worse for them, needless to say."

The outspoken punk icon is realistic about what's causing the problems. "The horrible economy and people being broke goes hand in hand with the temptation to share everything," he says. "With major labels, who cares? They use every trick in the book to rip off their artists anyway but the smaller independent artists and labels, they feel it pretty hard."

And of course, major labels and the RIAA are part of the problem in Biafra's view. "The RIAA suing the s--- out of people to the tune of $100 million from those lawsuits and not one penny has been given back to any of the artists," he says. "They say it's all going to what they call a charity organization of lawyers to fund more lawyers to sue more people. That's major labels' idea of charity and that's why I never wanted to be owned and operated by one. The major labels are the ones who deserve to be file shared because they use every trick in the book to rip off their artists anyway. It's the smaller, underground independents and even the artists themselves you may risk losing altogether if they don't have any way of continuing their work."

As more bands call it quits, labels fold and record stores close up shop, Biafra says music lovers need to change their attitudes. "Tons of people go to the shows and say 'Oh yeah, it's really cool. I burned your CD for 15 of my friends.' Of course, not all 15 would have bought the album but if even five would have, it would have really helped the band," he says. "That's only going to get tougher if more and more people grow up with the idea that all music should be free. I think the closest thing to a solution is to make it more like subscriptions. You pay so much a month and you can download all the music you want."

Obviously, this isn't the end-all solution and Biafra realizes that it presents a new set of problems. "That of course uncorks another bottle whereby the people providing the subscriptions are going to be hit up to provide all the money to major labels and forget about the smaller artists," he says. I've seen what some members of my current band are going through trying to pay their bills and it's a wonder they have any energy left to play music at all. Of course, a lot of people in that situation stop playing music altogether."

Biafra's latest album, 'The Audacity of Hype' by Jello Biafra and the Guantanamo School of Medicine, is available now.

All the AOL Music info you want to know

Dierks Bentley, 'Live on Letterman'…

The Boot

Ethan Miller, Getty Images Country takes over the city, as Dierks Bentley is…

Drake, Juno Awards 2012: Young Money MC…

The Boombox

Getty Images After hosting the Juno Awards last year -- the Canadian…

Grammy Awards: Hip-Hop and R&B Albums…

The Boombox

Amazon.com The Best Rap Album category was born in 1996, during the…

See all AOL Music »

Add a Comment

Sign in »
*0 / 3000 Character Maximum

3 Comments

Filter by:
Igor

If Biafra had promptly paid his former bandmates in the Dead Kennedys the $76,000 in back royalties he owed them instead of forcing them to take him to court over it, thereby wasting untold tens of thousands of dollars in legal fees and losing Alternative Tentacles' biggest money-maker -- the DKs catalog -- in the process, perhaps he wouldn't have found himself having to lay off quite as many employees. Sure, the economy's rough, and sure, there's a big question mark hanging over the future of record labels, but at least some of AT's problems probably stem from mismanagement.

March 22 2011 at 11:19 AM Report abuse rate up rate down Reply
candypantz

check it out every cd someone has burned for me i have more than repayed by seeing the artist live-they get more of the money that way, buying the cd direct from the artist and or turning many more people on to the music they would not have tried anyway. artists do deserve to make a living wage and more if the art they produce is worthwhile. i would rather buy direct from saul williams or trent reznor or jello biafra than buy anything from corporate america having worked for a corporate music store and seeing how that industry works not only do the public get ripped off but so does the record companmies also unfortunetly the artists do also.....buy direct when ever you can from the artist.

November 13 2009 at 10:04 PM Report abuse rate up rate down Reply
StanSki

Jello, you're 100% correct, as usual. But as a musician myself, I think that bands should use downloads to build an audience, schedule gigs, advertise the crap outta them (there are ways to that cheaply enough)and then sell all the crap they can at those gigs. CDs, DVDs, shirts, crack viles, whatever. Basically get back to the fans directly. Form joint tours. Work together in performing and all the background stuff like sound and lights, promotion and swag. Screw the riaa and the ripoff companies.

November 13 2009 at 2:45 PM Report abuse rate up rate down Reply