Andrew H. Walker, Getty Images Nine days after the deadly tornado that touched…
Ulrich Schnauss Brings Shoegaze to Snowy Brooklyn
- Posted on Feb 26th 2010 11:00AM by Kenneth Partridge
As Ulrich Schnauss, electro-pop's answer to Lunesta, performed Thursday night at the Bell House in Brooklyn, N.Y., an enormous movie screen behind the musician flashed footage of modern office buildings. The glass-and-steel structures likely exist somewhere in Germany, Schnauss' home country, but given their lack of local character or distinguishing features of any kind, it was hard to say for sure.Schnauss, sitting behind a computer and fussing with the myriad wire-spouting devices that are the tools of his trade, looked like the type of guy that might work in one of those buildings. He wore a simple button-down shirt and sensible slacks, and as he tweaked his various music-making gizmos, stirring up molasses-thick waves of digital noise, he appeared too meek and mild-mannered to be creating such somnambulant sonic majesty.
If Schnauss is more hardcore than he looks, the same is true of his New York City fans. Outside the Bell House -- and indeed, all across Brooklyn, the five boroughs, and much of the Northeast -- snow fell Thursday night with dizzying ferocity, turning sidewalks to luge tracks.
The 100 or 150 people that braved the storm must have really, really wanted to hear some electronic shoegaze.
That's exactly what they got -- nothing more, nothing less. Schnauss, who has released a handful of albums and remixed tracks by such artists as Asobi Seksu and Depeche Mode, performed without a microphone and did almost nothing to acknowledge the crowd. His movements were quick and precise, more the work of a craftsman than a showman.
To bask in his choral-like synths and throbbing beats -- some harried, some funky, most pleasantly monotonous -- was akin to staring too closely at one of Georges Seurat's brushstrokes, a la Cameron in 'Ferris Bueller's Day Off.' Schnauss' unwieldy, slowly unwinding compositions might actually be gorgeous pop songs, but recognizing them as such seems to require some distance.
Maybe the folks living further up 7th Street, hearing the drone as they shoveled their stoops, got a truer sense of what Schnauss was going for. Better still, when the show was over, they didn't have to trudge home in the snow.
- Filed under: Concerts and Tours, News
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boo to this review. the visuals were gorgeous, the new songs were moving, and the snow made it all the better of an experience. this guy just sounds pissed he had to do the review and got stuck in the snow.
February 27 2010 at 11:03 AM Report abuse Permalink rate up rate down Reply











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