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Hans Zimmer Says 'Inception' Score Created From 'Non, Je Ne Regrette Rien'
- Posted on Jul 29th 2010 7:52AM by Andrew Kerr
Ferdaus Shamim/WireImage.com
The connection with 'Non, Je Ne Regrette Rien' was recently made public online after a viral video comparing the 'Inception' theme with a slowed down version of the Charles Dumont-written song was posted on YouTube. An excited Zimmer spoke to the New York Times, "I've seen it. I've seen it. I was surprised how long it took them to figure it out. It was meant to be a secret."
According to Zimmer the idea came from director Christopher Nolan, "He had the Édith Piaf always written in the script, the 'da-da, da-da'. It was like huge foghorns over a city, and afterwards you would maybe figure out that they were related."
He continued "All the music in the score is subdivisions and multiplications of the tempo of the Édith Piaf track. So I could slip into half-time; I could slip into a third of a time. Anything could go anywhere. At any moment I could drop into a different level of time."
The challenge of constructing the score from a single manipulated beat was one which the Oscar-winning German clearly relished, "I had to go and extract these two notes out of a recording. I love technology, so it was a lot of fun for me to go and get the original master out of the French national archives. And then find some crazy scientist in France who would actually go and take that one cell out of the DNA."
As reported by Spinner earlier this month, Zimmer drafted in former Smiths' guitarist Johnny Marr during recording after the composer heard a sound in his head while working on the score, "I couldn't figure out the sound that I was chasing and I realized it was Johnny Marr."
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Duh.
You've never heard of compositional development?
Is this suppose to be controversy?
I don't think so.
Secret? it is pretty obvious as the quick music is the chorus of Edith Piaf's song... I thought they chose that because of Marion Cottillard playinig her in La vie en rose...
August 04 2010 at 1:33 PM Report abuse Permalink rate up rate down ReplyAnd, of course, what makes it even better is that Marion Cotillard played the role of Edith Piaf! Won the Oscar, I think, didn't she? Gotta love that.
July 29 2010 at 4:38 PM Report abuse Permalink rate up rate down ReplyI liked Piaf's 'wake-up call', but HATED the overall sound. Whoever did the sound for this film should be blackballed in Hollywood. The moviegoer should not have to strain to hear the actors while being bombarded with unnecessary noise. The couple in front of us left the theater because of it. Just like a ghetto blaster can ruin an afternoon at the park, the sound ruined this film for me.
July 29 2010 at 1:52 PM Report abuse Permalink rate up rate down ReplyI thought this was supposed to be obvious? I mean, it sort of merges in the credits...
July 29 2010 at 1:21 PM Report abuse Permalink rate up rate down ReplyThis is a cool comparison. There is another piece, "528491" starting at the 1:00 mark that sounds like a close variation on the repetitive eight-note "PHANTASM" them by the remarkable (and late) Fred Myrow. "Inception" and "PHANTASM" share similar qualities, particularly the twist (reality vs. dream?)endings, so I had to wonder if it was just mere coincidence...
July 29 2010 at 11:24 AM Report abuse Permalink rate up rate down Reply











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