The Wallflowers When members of L.A.-based rock band The Wallflowers sat down…
- Posted on Dec 14th 2012 3:30PM by Aaron Brophy
A rubbery disco dance rock song, "Reboot the Mission" didn't sound much like what you'd expect an Americana foundation act like Wallflowers to sound like. Instead, it sounded like something English punk legends The Clash would do. Specifically, it sounded like a sequel to The Clash's dance track "The Magnificent Seven" from the band's experimental 1980 album Sandinista.
"That's not an accident," Wallflowers lead singer Jakob Dylan tells Spinner. "It's something we pursued, you know. It's some of our favorite music. This is one of the best rock groups of all time."
The song also features a meta reference to Wallflowers' current drummer Jack Irons, who used to play in late Clash singer Joe Strummer's solo band.
"He recorded with Joe Strummer and toured with him," says Dylan. "That's part of Jack's history. That's one of the experiences Jack has that's really unique that very few people have and 'drummer' rhymes with 'Joe Strummer,' so you've got your song right there. That would be called a softball.
"It's just, everybody knows the songs that are popular from the Clash," he continues. "But they were a group that really succeeded in every genre and every template of music that they touched they rose to the top in. And that song, 'The Magnificent Seven,' you get people moving with that. That has a strong connection to rock 'n' roll's beginnings, getting people to move. And that's something we were conscious of on this record. We wanted people to move and there's a way to get people to do that without making dance music. And that's Chuck Berry, and that's 'Twist and Shout,' and that's Rolling Stones, that's tradition."
Sandinista, a 36 song, six-sided triple album which had its 32nd anniversary earlier this week, has always been a divisive record for Clash fans. The album dove into folk, blues, rap, calypso, and even gospel. It was certainly far more than just simple punk music.
It's also perhaps symbolic of what Wallflowers were hoping to achieve with Glad All Over. Although the level of experimentation on Dylan and company's album isn't so reckless as Sandinista, it's certainly there.
"The Clash, they're a very good reference point and an example," says Dylan. "There really aren't any boundaries. That group did ska, they did punk, they did reggae, they did calypso, they did funk. Those are all within the umbrella of rock 'n' roll bands, so there's nothing off limits. I think a lot of bands feel they've got a channel they've got to stay in, and that's their sound and and that's their identity. But I think that's totally unnecessary to put those kind of confines on themselves."
While making Glad All Over, the Wallflowers' first record in seven years, the band would put on albums they liked in the studio, play along to them, and then "before you know it you've got something."
You can almost trace what albums the band were playing in the studio through Glad All Over's songs. "Misfits and Lovers" feels like Tattoo You-era Rolling Stones, "It's a Dream" hints at Tom Petty, and there are echoes of ZZ Top, ELO and other heroes of the FM dial from 30 years ago throughout.
Dylan says that cherry-picking from his record collection was exactly the point. And he's not finished, there's more places he wants to take the band.
"We've ran with a lot of things on this one and there's endless things to go," says Dylan. "That's why I say the way we did this record was such a relief to know that it was simpler than I imagined. It was a lot like making our first record over 20 years ago. It felt like that again, just the enthusiasm and how simple it is, you're just making music. It's not that complicated. It starts with just... we wanted to start with all these songs feeling good. And songs are songs, some are going to be better than others, but we definitely chased making sure songs felt good. And it was a relief, I'd do it again tomorrow if I had the time. It was really a good experience for everybody."
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